11/22/63 by Stephen King
My rating: 4 of 5 stars
11/22/63 is very by-the-numbers.
Sorry, had to get the inevitable and terrible pun out of the way.
11/22/63 is one of King’s best post-accident (post-1999) works, a long and adventurous novel that jumps feet-first into the time travel paradox. As expected, giving much thought to the logistics of time travel only reveals the gaps and flaws common to this particular sub-genre of science fiction. King knows this, too, and steers clear of trying to provide plausible scientific reasoning, leaving it up to the butterfly effect and what the main character of school teacher Jake Epping calls “harmonics.”
Saving Kennedy is a favorite time-travel trope, probably the most popular after killing Hitler, and King neatly lays out the scenario where Epping goes back to September 1958 and adapts to living for five years in an era before he was born, all the while tracking his prey, Lee Harvey Oswald. Along the way Epping falls in love with both the past and another school teacher, the tough if clumsy Sadie Dunhill.
Typically, King does a terrific job in fleshing out the many characters, while the sounds and sights of late 50s and early 60s America feel authentic. The story sprawls but never drags as Epping faces obstacle after obstacle while moving closer to his target. As the repeated refrain goes, the past is obdurate and doesn’t want to be changed.
To say more would venture into spoiler territory and although the book has what amounts to two endings, both are fine. There are no giant spiders here. 😛
Unlike King’s horror fare, 11/22/63 has broader appeal, to fans of time travel stories, to those who enjoy the whole “fish out of water” thing and finally, to anyone who enjoys watching characters whose actions and complexities drive the action, rather than the other way around.