The Dark Side of the Moon (1973) and Murmur (1983) are two albums I own and enjoy, but neither of which I listened to when they were new. As they turn 40 (!) and 50 (!!) years old, I thought I’d reflect a bit on each.
When The Dark Side of the Moon came out in 1973, I was only nine years old and didn’t listen to any specific music or bands yet. I was gravitating toward The Beatles and The Beach Boys, though (in 1973 The Beatles had only been split up for three years). I came across this album years later, getting it first on CD in the mid-80s. The transfer was so bad (or good, depending on your perspective) that you could hear the analog hiss during quieter parts of the album.
Of the two, DSOTM is more famous, of course, but I feel it’s more dated or, to be more generous, of its time. In particular, the instrumental “Any Colour You Like” sounds very early 70s to my ears. That said, the rest of the album is sleeker and more timeless, and while it isn’t a concept album in the purist sense, all the songs connect together through themes and sound collages in a way that makes it feel like a single piece, a real album album (kids, ask your parents what an “album” is!)
DSOTM is also the sound of a band coming into its own with confidence and newfound maturity. It was Pink Floyd’s eighth album and was one of the last where all the band members fully participated.
Murmur, by contrast, was R.E.M.’s debut. Listening to it now, 40 years later, it still has a weird kind of freshness to it. I mean, it doesn’t sound anything like what you hear in contemporary pop music (which I can’t address without jumping straight into “old man yells at cloud” territory), but if you sought other albums with a similar sound recorded today, Murmur would effortlessly fit in with them, because Stipe’s vocals (not as murky as legend would have it) and the band’s early experimentation in style, going from jangly pop to simple acoustic numbers, remains vibrant and clear. It’s a fun album, an early adventure, and a great example of a group that fired on all cylinders right from the start.
Although I could have picked up Murmur when it was new (I was 19), like many others, I didn’t discover it until after getting brought in to R.E.M.’s music by a later album, in this case Document (1987) and specifically, “It’s the End of the World as We Know It (and I Feel Fine)”. In retrospect, I wish R.E.M. had done more zany songs or lighter songs. Some of the best on Murmur are these, like the appropriately propellant “Catapult”. Ah, well.
