I’ve been on a science fiction movie nostalgia trek (ho ho) for a while now, and here’s a couple of mini review of two recent rewatches, both of them direct sequels to their first film.
Star Trek II: The Wrath of Khan (1982). At the time this was pitched as the movie that “saved” Star Trek after the slow and, some would say, ponderous first film, which focused on a Big Idea. The sequel ditched the space jammy uniforms and brought back a classic villain from the original TV series, and swapped out the mystery of V’ger with a cat and mouse chase between Khan and Kirk.
The movie holds up remarkably well 41 years later. Some of the effects work is dated, but the scenes of the Enterprise and Reliant flying blind in the nebula and nearly colliding, are still thrilling to watch (just ignore the fact that no one actually looked out a real window to see where they were going). Kirk struggling with mortality and getting older is a great emotional frame for the film, and Shatner doesn’t ham it up under the hand of director Nicholas Meyer.
Ricardo Montalban clearly relished playing Khan, and Meyer allows him to ham it up–but never to the point of making the character appear a fool. He also gets the most quotable lines. “Revenge is a dish best served cold. And it is very cold in space.”
Still recommended after all these years, and probably still the best of the original cast movies.
Aliens (1986). What an odd movie series this is. The first two films are great, the second two are pretty bad, and they all have weirdly long gaps between them, defying Hollywood convention to crank out sequels. The gap between the first and fourth Alien movie is 18 years!
But here we have the first sequel, coming in seven years after the original and in terms of the timeline, 57 years after the events of Alien, when Ripley’s pod is found, and she is brought out of hypersleep.
For some reason, Disney+ (where I watched it) does not offer the Special Edition, which is both good and bad. You miss the early scene of the colonists going about their business before the alien infestation, which helps to give context to what comes later (though you can also argue it also kills the mystery when the marines first arrive at the settlement to find no one there). Likewise, there’s a terrific sequence with automated turrets missing from the original cut, where you see their ammo get depleted…and the aliens keep coming. AND you also don’t get the scene where Burke confirms to Ripley that her daughter had died two years earlier, which really helps provide motivation to her character for the rest of the film.
All that said, everything else that makes this a great sequel is still there. Effects-wise, it mostly holds up, though some of the models are clearly models (in the same way that today’s CGI is often very clearly CGI) and any shot of the dropship where it is not shot against the starry expanse of space looks shockingly bad, to the point of distraction. Everything else, crucially including the aliens themselves, still looks great.
I’d forgotten what a complete spaz Bill Paxton’s character was. Several others in the movie repeatedly tell him to shut up and calm down. It’s great. This film is definitely a James Cameron joint, as he loves his military hardware and foul-mouthed grunts. There are scenes where weaponry is lovingly explained. There’s testosterone spilling all over the place. And it is all neatly undercut when the characters realize what they are up against.
Sigourney Weaver gets a lot more to do here, and this is clearly her character’s film and story. She makes it work with a terrific performance, aided by a solid supporting cast. Paul Reiser, better known as the lovable, quippy husband on Mad About Her, is perfectly slimy as the human villain, cold and calculating until his inevitable and appropriate end.
I could quibble about a few plot contrivances and conveniences, but they ultimately don’t detract from a story that expands on Alien, while providing its own terror-filled ride. Still very much recommended, although watch the Special Edition if you can, the added scenes really do flesh the story out more.