Another late night “must take a photo today” shot:

Another late night “must take a photo today” shot:

Who is this type of graphic supposed to appeal to?

This is featured in a Dreamhost article on blogs and I assume it comes from a stock library of images, since there’s no attribution. But look at it.
What I see is random gigantism. This woman has absolutely massive arms and hands (her fingers can probably crush that laptop’s keyboard with a firm press), relatively normal legs and a freakishly small but happy-looking head. Is this woman cheerfully looking up cures for gigantism? Maybe methods on how to placate the menacing mint green blobs looming behind her?
I don’t know. But I do remember I’d seen a video on this art style before, and you can learn more about Alegria/Corporate Memphis and more via this excellent struthless documentary on the topic, appropriately titled “The world’s most hated art style”:
I have an arbitrary rule that I must take at least one photo a day. It’s just a silly little challenge and most days I usually get a scenery shot or sometimes, if I’m feeling fancy, a bird.
But some days, like today, I either don’t go out, or just plain forget, and that’s when I have to get creative, because I’ll never just take a selfie (ugh) or a shot of whatever is in front of me, I need to at least make something out of it.
An extreme close-up of my Blue Yeti microphone:

And a top-down view of the same microphone:

The other objects seen: USB backup drive, USB connector for a wireless mouse, a yellow model of an AMC Pacer, a toothpick, some keys, and a coaster.
Most days I get out and aboot1This is, of course, a reference from the South Park movie Bigger, Longer and Uncut, and is how all Canadians say the word “about” and meet my daily photo requirement taking a shot of trees or water or birds or something all nature-like.
But occasionally I stay indoors because the weather is grossbuckets2And while I’m explaining references, this is from the old Bloom County comic strip or I otherwise don’t get out. And to keep uo with the photo-per-day thing requires me to find something indoors to shoot. Since I abhor selfies (I think I look weird in all of them. Not ugly, just weird. I have some goofy features.) I have to improvise with the objects scattered around the condo.
The past two days, that object has been the glass I keep on a coaster next to my keyboard.
In the first shot, I’m aiming the phone camera straight down into the glass, which is partly filled with soda. This one you can identify pretty easily.

In the second shot, I held the phone camera right up against the side of the glass, which was filled with a fizzy berry pomegranate flavour mix. This one, complete with unanticipated window reflection, is more akin to abstract art. It’s completely unlike what I was expecting. I like it!

I used this Github one-click installer to get Stable Diffusion, another AI tool that generates images based on text prompts, running on my M1-based Mac.
The initial results have been amusing, interesting, and sometimes just weird.
Using the default parameters, I used this prompt:
Cat wearing a top hat
And got this:

I then used the same prompt, but set the steps from 25 to the max of 50:

This is one dapper feline.
Next, I tried:
Dog on a cow. High detail, photorealistic.
And got:

As the kids say, there is a lot to unpack here.
Undeterred, I adjusted the prompt:
Small dog riding on top of a cow through a grassy field.
The result looks like an alternate version of the album cover of Atom Heart Mother. I like it.

I’m going to keep playing with this, since my invitation to join the DALL-E beta went into a black hole, never to be seen again. More images soon™!
I’m not sure if I’ll be going out again today, so I wanted to take a photo of something because taking a photo every day is on my to-do list.
What I did was:
I leave it to you, the reader, to interpret what this means, if anything. I got nothin’!

I am not sure how I feel about all the mega towers going up around Metro Vancouver, but mostly I think I don’t like these giant concrete monoliths.
So when I took a photo of one at Lougheed Town Centre, I took the liberty of changing the sky, adding lightning and changing the lighting (using Luminar AI) to give it a kind of Mt. Doom quality. But it needs more lava or something.
And here it is in handy before and after format!


No, really. I’m going to do an ink drawing (digitally on my iPad) every day, using the prompts, which are as follows:

I’m going with the “do whatever I can in five minutes” approach, so there’s no huge commitment. Will it result in magic or madness? We’ll find out starting tomorrow!
And just so I don’t forget, here are the official rules from the Inktober site:
When I was a teenager and had my own bedroom I would put posters up on the walls. These were usually maps of amusement parks like Magic Mountain or Disneyland, or “funny” posters such as the “Instructions to patrons on premises in case of nuclear bomb attack” one which had these last steps:
7. Immediately upon seeing the brilliant flash of nuclear explosion, bend over and place your head firmly between your legs.
8. Then kiss your ass goodbye.
This poster would have gone up around 1980 so the advice was actually pretty spot-on given global politics at the time.
As an adult I’ve never put up posters or any kind of art on the walls and I’m not entirely sure why. I obviously wqouldn’t put up maps of amusements parks and I’d stay away from “humorous” posters, too, but surely there must be something I’d like to have hanging on the wall besides errant spider webs.
And now there is.
Last year I bought a 13 x 19 inch poster and a few weeks ago finally got a frame for it and it now hangs resplendently in the computer nook:

I have one other good spot for another poster or print in the nook, so I am mulling what to get as I am absolutely delighted by this cat (the design is by the artist Rachel Caldwell).
A few days ago during The Rains I trod to the Sapperton SkyTrain station to begin my morning commute and I discovered this message finger-painted onto the glass near where I usually stand on the platform.

One might quibble about the lack of proper punctuation but the message is nonetheless unambiguous. What I find most intriguing is what would prompt someone to:
This leads to other questions, such as:
I am slightly sad I will never know the answers to these questions, though I’m not sure what I would do with the answers, anyway. Maybe one day I’ll make the answers up and turn it into a story called “The Messenger.”
(Probably not, though.)
As I waited for a train to trundle by at the crossing at Government Street in Burnaby, I snapped a picture of this bit of wisdom someone had spray-painted onto the sidewalk (the train isn’t invisible, it’s on the second track which is not visible in my photo):
Is it a coincidence that this was put down at a train crossing? But not only a train crossing, one with double tracks and at an intersection, which is a perfect combo for some sort of horrible accident–er, I mean a place where something might be observed to be “coming apart.” Also of note, a short distance down the road is where a 150+ car train derailed a few years ago.
Or maybe it’s an observation about people, like “I really understood Uncle Festus after that day he totally came unglued.” Or maybe it just means “take lots of pictures when you dismantle the engine on your lawn mower, otherwise you’ll end up putting it back together, then find six vital engine pieces sitting behind you.”
It was time to test out the scanner of the new multi-function Brother MFC-9130CW or as I like to call it, the heavy thing that sits on the corner of the desk behind me, so I grabbed a collection of Mac and Tosh comics I made when I was a wee one. As you will see below, my sense of humor was already suitably dark, albeit somewhat unsophisticated. The bleed-through is an accurate reflection of the thin and worn paper, hence I’ve made no attempt to fix it.
I dated some of my earliest comics but not this series. There are several important clues, though. The lowercase “a” is written the “normal” way and I switched to the “fancy” version around the age of 10 or 11. The appalling spelling (“heavan” and “hear we come”) also indicates the period before I suddenly developed an internal spelling checker. I’m going to say I was around 8 or 9 years old at the time this epic was penned.
Speaking of penned, I bravely inked the comic without drawing it in pencil first. Note the very first word was a mistake that I crossed out and corrected. Perhaps white-out did not exist back then. You can also see the classic “make a balloon then scrunch the words to fit inside it” technique favored by many budding comic strip auteurs.
Sadly, Parts 1 and 2 seem to have gone missing. One can only imagine the tense build up leading to the eventual catastrophic demise of the characters.
Also, I can’t recall which was Mac and which was Tosh. Their names are directly ripped off of the Goofy Gophers featured in Warner Brothers cartoons, of which I was (and remain) a big fan. At the time I probably thought of it as an homage. At least I didn’t also make them gophers. Their explosive deaths could have been inspired by one of many Warner Brothers cartoons but most likely something from the Roadrunner series. I like how either Mac or Tosh looks on the bright side even as they let slip their mortal coils.
The last three panels are scratched in with pencil and I have no idea what the cryptic “TERRI DID THE” message refers to (Terri is one of my sisters). I also have no idea what the circle, #, square and 61 are references to or why they are repeated twice. It’s like clues to a murder mystery, but the only deaths I know of are in the panels above these would-be clues.
Anyway, I’m going to recreate these strips to see how they’d look from an adult perspective. My guess is sad, but in a different and less-cute way.