No damn snow, a creepy painting and fog on the water

Christmas 2009 has come and gone and unlike last year’s silly snowpocalypse, there was nary a flake to be seen fluttering across the sky this time. In fact, the past few days have been dry, cool and sunny, save for today when the fog rolled in.

The trip back on the ferry in the early afternoon was a bit unusual in a few ways. First was the fog. It’s pretty rare for me to be traveling to or from the island in the fog so it was kind of eerie to have the ship glide into a huge bank and be lost from the world, the ship’s horn blasting every minute or so to warn people in smaller boats who thought it was a great day to go blundering about the strait in zero visibility. Periodically we’d come out of the fog and into sunshine and it was then that the other unusual part of the trip was most noticeable — the water was almost completely calm. I mean, there was barely a ripple in the surface. It was like gliding through a pond. A really really big pond, but still. Rather weird but soothing at the same time.

Christmas dinner this year was especially daring as I broke tradition and ate a Brussels sprout. It was okay. I suppose I can cross it off the list of foods I hated as a kid (and I hated a lot of them — I was a fussy eater). Next year I’ll try a sprig of asparagus if I’m feeling really crazy.

While staying at mom’s I was compelled to take a picture of a painting that hangs in the guest bedroom.

At first blush it appears to be a rather benign pastoral scene painted by someone who is obviously not a professional artist. Let’s call them earnest.

But on closer examination I discovered a Lovecraftian horror:

This is not a woman and her young daughter out for an innocent stroll picking flowers and enjoying the sun. No, these faceless horrors are merely in disguise, waiting for the moment to turn their mishapen fleshy hooks onto the unaware and claim their souls as their own, sending them into the spiral of madness that comes from staring into a face that is an evil blank canvas of poorly-shaded skin.

Also, the parasol looks like it’s been turned inside out. My theory is that it’s actually the leathery skin of some unnamed thing that went rogue and was made into this particular object to serve as an example to others who would dare challenge the ways of the Great Old Ones.

Somewhat beardy

After multiple people failed to notice I had shaved my beard off, I’ve decided to grow it back, mostly to see how it looks at various stages of growth. Once it’s back I’ll then decide if I want to lop it off again or keep it.

I am also contemplating what to do with my hair. The last time I got it cut the girl hesitated to cut it as short as I wanted, perhaps fearing I’d have a cancer patient look when it was done. I may go the other way and let my hair grow long instead, though the results of that may be best kept under a cap.

Beard 2.0 after one week’s growth:

Star Wars 32, 12 and 0 years later

I saw Star Wars at the Duncan Odeon shortly after it premiered in 1977. I was 12 years old, pretty much the ideal age.

I also saw it in the theater here in Vancouver when the special edition came out in 1997. I was 32 years old.

I watched it again last week.

What follows is the answer to the question: Can a magical film of my youth withstand the critical, nay, cynical eye of adulthood?

The short answer is: mostly yes. The longer answer follows.

I saw Star Wars before it became the most successful movie ever (for the time) and at the age of 12 I was old enough to understand everything but still young enough to be dazzled in the way only a child can. While the 70s are fondly looked back on by film purists, I think it’s important to remember that film has always been a combination of craft and commerce. When the serials of the 30s and 40s were being cranked out, no one was aspiring to high art. Likewise the exploitation flicks of the 60s and 70s were just mindless entertainment designed to titillate and little more.

Star Wars, though, was one of those films that tried both. In the context of the era, it was unheard of — a big budget science fiction movie complete with veteran actors like Alec Guinness and Peter Cushing to lend it credibility. It’s been well-documented how George Lucas drew from many sources for inspiration for the movie and somehow he made it all work. But how does it fare now?

I have the special edition on DVD. This was essentially a test-run of the CGI effects that would drive the Episode I-III prequels, adding extra bits of shiny and re-inserting a few cut scenes. The quality of the transfer is a bit strange — some parts of the film are very vivid while others still appear muddy and with “noise” in the film. While a few effects shots have been cleaned up, others still have the telltale transparent rectangles outlining TIE fighters that shows how they were overlaid on the backgrounds.

As to the additions and extras in the special edition, most don’t hold up and some even detract from the film. The best ones are a few quick shots that make Mos Eisley look like more than just “four overturned cans of paint” (as one critic dubbed the original). The scene with Biggs and Luke chatting before heading out to the Death Star is also a thoughtful inclusion.

However, the background bits with exotic beasts fussing and farting and noisy little drones flying about are distractions that pull your eye away from the focus of the scene. The infamous “Greedo now shoots first” scene undercuts the character arc of Han Solo going from a mercenary out for himself to someone who actually joins the cause. The worst bit, though, is the re-insertion of the scene where Han is confronted by Jabba the Hutt. Not only was most of the scene reworked for the Greedo/Han confrontation, making its insertion gratuitous, Jabba looks like CGI and Han addresses him as if he was a person and not a giant slug. He even ends with, “Jabba, you’re a wonderful human.” This made sense when the scene was shot because Jabba was just some guy in a bad fur coat. Putting the scene back in was the first sign that Lucas’s ear had gone tin on what worked in the world he created.

But what about the rest of the movie, the parts unchanged from 1977?

For the most part, it still works. There is the sense that you are watching events unfold in a universe that is truly unlike ours, one where technology has advanced but is still grimy and gritty and prone to breaking down. The characters are all broadly and clearly delineated. Luke is the farmboy hero who fulfills his destiny, Han is the rogue, Kenobi the wise mentor, Vader the despicable villain and the droids the comic relief. The only real misstep among the cast is Carrie Fisher’s mysteriously appearing and disappearing British accent that seems to activate whenever she’s in a scene with Peter Cushing. Monkey see, monkey do, I guess. Of all the actors, Cushing seems to delight most in his role, coldly putting the leash on Vader (who else would do such a thing in any of the other movies?) or shrugging off the rebels’ chances of actually destroying the Death Star.

Lucas keeps the stakes high throughout — Luke’s guardians aren’t just killed by the stormtroopers, they’re reduced to charred skeletons, the Death Star destroys an entire planet to demonstrate its power — but deftly keeps things moving with lots of action and banter between the main trio as they battle their way through to the final showdown at the Death Star. Yeah, it’s not entirely believable that dozens of stormtroopers could all miss when firing at them but it’s part of the pulp serial fun of the movie. The heroes face impossible odds but somehow overcome them, anyway.

The original effects are a mixed bag. The Death Star trench runs hold up decently but there’s a certain wobbleyness to a lot of the others where they still work but just barely. Here, you do need to keep the film in context. Effects-wise, I’d say it holds up worse than, say, The Wizard of Oz. Even the special edition spiffing up only goes so far.

There is also throughout the film an earnest corniness than many today might find off-putting but again, it works in the context of the story. These aren’t just characters, they’re archetypes. Han isn’t just speaking for himself but for every guy who just wants what’s his and to keep his nose out of everything else.

One of the things I most notice now as an adult is how Lucas really isn’t very good with his actors. Those that know their stuff, like Harrison Ford and Cushing, manage just fine but the younger and less experienced actors like Mark Hamill and Carrie Fisher offer uneven performances than a firmer directorial hand would have made more consistent. In this regard I think Lucas actually got worse in the prequels. Still, the lapses aren’t enough to detract from the film as a whole.

Overall, Star Wars still holds up fine. Its flaws are more apparent now and the special edition adds little of value to the film, but it’s well worth seeing. It’s amazing that over 30 years later so few other films have captured the science fantasy feel that makes Star Wars so appealing, even to where it largely eluded Lucas himself.

Mustache massacre

Tonight at 10 p.m. I got the sudden urge to shave my face. Let me explain.

When I was 29 I grew a beard while on Christmas break at college. It was less a beard and more “I’m too lazy to shave for two weeks” but when someone asked me if I was growing a beard it suddenly seemed like a good idea, so I said yes. I have had the beard since.

This means I was not clean-shaven throughout my 30s and into my early 40s. I was a content beardyman, at least as far as the beard part went.

Finally, I made the first major change to my facial hair in April of this year when I lopped off the full beard and went for a more petite circle beard. I believe this was the right call at the time because the sides of my beard had pretty much gone completely white and I am not ready to become everyone’s stand-in for Santa just yet.

Since then I’ve mulled going further but held off because I like the circle beard. It makes me look vaguely hip, especially if I wear a beret (I don’t own a beret).

But tonight I got this overwhelming urge to see my upper lip for the first time in 16 years, so I broke out the beard trimmer and razor. I am now clean-shaven once again except for a neatly-trimmed goatee that I may or may not shave off tomorrow.

I kind of like the new-old look. I’ll wait a week before deciding whether to stay smooth ‘n sexy or go back to a more hirsute appearance.

Shorn:

me-cleanshaven-cap-12-15-09

Heath Ledger dies…again

Another dream from last night:

I am on what appears to be a movie set but they are not shooting at the moment. Or perhaps it’s just a ranch because there are horses. And a Spanish galleon. It makes sense, because it’s a dream.

I am on the galleon with someone who is showing off a little swordsmanship. He recites a line from the script that I can’t precisely recall but it was a taunt something along the lines of, “Do you want to brown your pants?” Colorful, as they say. The part was being played by Brian Doyle and while there are a number of Brian Doyles on the Internet Movie Database, I don’t think this guy was any of them. No idea where the name came from.

After the swordfighting demonstration, I then look over to another man, this one holding the reins of a horse. In retrospect I think it was supposed to be Johnny Depp and this was the set for the fourth Pirates of the Caribbean movie but instead it was Heath Ledger, my first dead dream celebrity.

Heath was going to show off something or other but the horse’s reins got tangled up and it began freaking out and thrashing violently. Heath was standing beside it and could not extricate himself from the reins. By the time he was freed he was laying prone on the ground and making unpleasant facial expressions, a waving hand indicated possible back injuries. When next I looked he was propped up against a nearby fence with two girls looking over him. One was about ten, the other in her teens.

I distinctly recall one of them saying to him, “Please don’t bleed like that” at which point blood started oozing from his nose and mouth. This, understandably, upset the girls and they began wailing as Heath Ledger expired. Again.

Acrophobia on an alternate world Davie Street

I’ve been remembering a lot of my dreams lately for whatever reason, enough so that I may actually do some research to retain them even more than I do now.

Last night I was in a typical alternate world dreamscape, this time at a huge outdoor theater improbably constructed near the intersection of Denman and Davie Street. The theater was open but did have a roof to provide shelter from the elements. The featured show was a bunch of old men singing in front of an artificial waterfall. Where this bit came from I have no idea. At the end of the performance — which actually felt more like a rehearsal, I moved out of my seat and headed down toward the stage. The seats were a weird kind of jumble that only makes sense in dreams and I found myself inadvertantly blocking the way. This woman standing opposite me seemed to offer a solution, for lo! We were both actually standing on a lift that she could operate.

She did so and we rose up and above the crowd. I was perhaps inclined to offer my thanks when she continued to raise the lift higher than necessary. I am not especially keen on high places so I noted this fact to her in the hope that she would stop. She did not. I then raised my voice to a level one might call “screaming”. My words to her were as such: “Lady, I’m afraid of heights! Let me down!” I continued this plaintive request at maximum volume but she gave no reaction, as if she was utterly deaf or cruelly indifferent.

I should further illustrate the scene by noting the platform that I was on was barely big enough to contain me and it lacked anything to hold onto save for a railing along the front which I flung my arms over, hoping to not plunge onto a singing old man some hundred feet below. When the lift finally reached its maximum height — and that height was impressive indeed — the woman’s hearing seemed to suddenly return to normal and she brought the lift back down.

I was not amused.

The dream broke apart at this point, the crisis ended. The loss of control is a typical theme in dreams. Perhaps I can conquer this one by standing on my tippy-toes at the edge of the Grand Canyon one day.

Time, flowing like a river

Today Eric Woolfson, the creative mind and frequent vocalist of The Alan Parsons Project, died from cancer at the age of 64.

One of the things that sucks about getting older is watching the pop icons of your youth grow old and die and 64 isn’t even old.

The first APP album I bought was Ammonia Avenue in 1984 (on vinyl, of course). I was late to the party but went back and grabbed all of their back catalog and purchased the final three albums they released after Ammonia Avenue as they came out. Woolfson wrote clean, straightforward lyrics that worked without being overly schmaltzy or cliche and his vocals had a strange elegance that I can’t fully describe with any justice.

The idea that he and Parsons might work together again — something I had hoped for — is now lost, of course, so we’ll never know what a new collaboration might have sounded like (much like Rick Wright’s death ended any chance of further work from Pink Floyd after their 2005 Live 8 reconciliation). Time to listen to Eye in the Sky again…

If you are what you read…

…then I’m a guy who jogs and likes to write.

Which would be pretty accurate.

I buy two magazines regularly: Runner’s World and Writer’s Digest. Maybe I just like magazines with apostrophes in the titles. I’ll admit having an incredibly hot guy on the cover of Runner’s World helped persuade me to take a look at the first issue I picked up but I’ve been buying it regularly since (the covers alternate male and female). It’s somewhat surprising how much can be written about an activity that consists entirely of just putting one foot ahead of the other and repeating.

Writer’s Digest is a magazine I’ve been buying on and off for many years but now that I’m writing more I can actually try employing some of their techniques and suggestions. Note: do not ever subscribe to their online newsletter. They spam your inbox like crazy trying to sell you seminars, books and probably Writer’s Digest widgets and toilet paper. I routinely archive without reading so I should probably unsubscribe at some point.

I will occasionally buy other writing or health magazines and the odd issue of Asimov’s of Fantasy & Science Fiction. What I don’t buy anymore are computer magazines (pretty much replaced by the web) and gaming magazines (also pretty much replaced by the web and most have died, besides). I lament several magazines I used to buy that went defunct a long time ago, notably The Twilight Zone magazine (which published excellent short fiction) and Marvel Illustrated, best described as “Heavy Metal without the breast obsession”. Okay, I sometimes also bought Heavy Metal because where else could you read stories where people rode astride giant penises like the sandworms of Arrakis? I also miss Omni. I wish there was still a good general interest science magazine around (no, Discover doesn’t quite do it). Mad magazine is one of the few I genuinely outgrew without even being conscious of it. They probably lost their gestalt when they began putting in real ads to pay the bills, anyway. That’s my cynical take and I’m stickin’ to tingit!

My dream (directed by Roland Emmerich)

There have been two recurring themes in dreams I’ve had since I was a wee one. The first was being chased by something — mummies, vampires, mean robots but most often vehicles and in true Killdozer style, the vehicles would always be driver-free. Two I recall vividly were a muscle car from the late 60s/early 70s that chased me down a neighbor’s driveway (I escaped by leaping onto the branch of a tree that hung over the end of the driveway), the other a giant-sized dump truck with the front bumper missing, which made it much scarier.

The chase dreams pretty much ended as an adult.

The other theme has been ferry disasters, which I’ve talked about before. Last night I had one of these dreams and as with most of them, it wasn’t really scary, just weird. I don’t recall who I was with but we were on the ferry and as usual, something goes wrong. This time it seemed like some kind of stability issue, which we noticed when the ferry began lurching to the side so severely as to nearly touch water to the passenger deck. Then, while still motoring along, the ship does not one but two complete barrel rolls. Yes, it capsizes twice. But it manages to right itself and we were apparently wearing our capsizing boots and were none the worse for the spinning. But now it was clear the ferry had to get to the terminal and dock ASAP.

The ferry starts racing along through the water and is kind of wobbly, pitching a bit from side to side. At some point I move to the front lounge for a better view ahead and we are entering a winding river-like area that doesn’t actually exist. Perhaps because of the ferry’s excessive speed, instead of attempting to navigate the serpentine path, the captain has the crew shovel more coal into the boiler and guns it toward a giant pile of smoothly-shaped rocks. Maybe it was a hill covered with rocks. Whatever it was, it was clear we were going to jump it.

The ferry hits the hill and scoots up it and out of the water, then flies off the top and soars like a wingless bird. For a few moments as the ship flies through the air we ponder what the landing will be like. But not to worry — the ferry lands upright and everyone’s okay. But not! Because the terminal is dead ahead and the ship is going way too fast! The engines are put into full reverse and the water churns furiously as we speed toward the dock. The ship slows, slows some more and then finally eases into the dock as if this was the end of a perfectly normal trip. Roll credits.

Jogging: now featuring random hate and incitement!

Today’s jog was 30 minutes. It was overcast and about 8ºC, so pretty mild comparatively. I ended up taking the gloves off for the last few laps. This means my hands were getting warm, not that I was running down and trying to punch out another jogger. The highlight was nearly twisting my ankle dodging around one of the mud pit-like corners. That would have made for a truly awesome third run back.

Someone with spray paint and an apparent loathing for authority had been busy at the adjacent playground, as you can say in the image below I captured with my iPod camera:

kc_park

(You can click for a larger version if you like. The text reads “Kill Cops”.)

A charming piece of work to greet the pre-schoolers as they climb up to the slide into anarchy! More anarchy symbols were festooned across the rest of the equipment by whatever blithering idiot did this.

I was also going to post a pic of my dirty running shoes but frankly they just don’t look dirty enough. The forecast for the week suggests drier and colder weather to come so I seem to have lucked out so far as the rain goes on my return to jogging.

When dreams go meta

Last night I had a long, involved dream that played out like a movie. There were even “shots” where the camera seemed to be tracking. From what I can recall, the story was set in some unnamed present day country that was apparently in the midst of a revolution (possible source: the coup in Honduras this past summer). Much of the city that the dream took place in was abandoned or in ruins but there did seem to be some semblance of life. I remember one part where a blind alley or tunnel opened into a plaza and there were a few men with weapons waiting for people to come through to shoot them. The people being shot were civilians, as far as I could tell.

I have an image of a woman and some children running along a street and being brought down by automatic weapon fire. Since I wasn’t in the dream I had no reaction to this, the events just kept playing out. The final part of the dream featured several men who may have been part of a resistance group. They were moving through an abandoned building that looked like it was once a hospital. It was bare of all furnishings and was dark, save for a pale blue light that washed through every room. This seemed to key in to an earlier part of the dream and I understood they were sneaking their way through to avoid being seen or captured. They went down some stairs and finally came to windows that were brightly lit by the sun. They exited onto a small street that was somehow cut off from the oppressive forces and the people here were relaxed, even happy.

The meta part of this dream came in an unrelated dream afterward. I was with friends and one was apparently using some kind of “hair solution” to grow back the hair on his head and was a bit embarrassed by the discussion, though he did in fact have a pretty good head of hair. I suddenly remembered the previous dream while in this dream and started telling my friends about it, just as I have written it out here. They weren’t particularly interested, so I stopped. I don’t think that’s ever happened before. It was odd.